Sofware Korg Radias Windows
KORG RADIAS Sound Editor is a program developed by Korg. The most used version is 2.00.0043, with over 98% of all installations currently using this version. The main program executable is RadiasSoundEditor.exe. The setup package is about 37.79 MB (39,626,328 bytes) when donwloaded. Jan 1, 2015 - This is the latest operating system for the Korg RADIAS. And RADIAS Sound Editor compatibility with Windows Vista and Intel Mac. THE FOLLOWING IS THE SOFTWARE LICENSING AGREEMENT BETWEEN YOU, THE.
Although the original model did come with a 49 key keybed, the one I own was only the rack unit. The unit itself offers the normal octave range with any keyboard.
There are a ton of preset sounds on this baby, but its a analog modeled synth which means it has all the knobs you could ask for in order to design your own sounds. There are a lot of effects that pretty much cover the full gambit of what you would expect including compression, eq, delay, phase, vibrato, distortion, etc. You can run a total of 9 effects simultaneously in one program alone. Everything is extremely editable. Beyond the huge array of knobs and buttons there is a lot of deep editing you can do either on the screen (via control buttons on the face plate) or via the free editor software which can run on both Mac and PC computers. All controllers are present including sustain, expression, pitch, modulation, etc.
The polyphony is 24.UTILIZATIONMost of the parameters you are going to need to access often are all located on the front of the synth via knobs and buttons, so it doesn't get much easier than that. Most every knob has at least two functions which can be tricky at first. Most of these multifunctions are operated by using 'shift' style buttons (hold a button done and it changes what another button does) which again can be a pain at first, but I feel I am pretty comfortable with the action now. I would consider the configuration relatively simple in the fact that you have realtime control of over 46 parameters.
At the same time, if you are not familiar with how a synth operates, than this thing can be very intimidating. The manual is kind of a pain. There doesn't seem to be a decent 'index' area for quick look up's and it is very very thick. But I plan on reading it cover to cover as this synth is very complex.SOUNDSThe sounds on this synth can range from realistic to some grungy digital mayhem. It has pretty decent rhodes, clav and whurly patches. The 'Analog Synth' sounds of this synth are a little thin in comparison to my, but this was expected and in fact sought after. I feel the bright aspects of this synth mix perfectly with the stout 'round' flavor of the Slim.
They are quite the pair. The expressiveness of the synth is quite nice.
Again the Keys are what show this the best but the pads are quite responsive too and can come in real soft or shoot in like a hurricane depending on your touch. The effects on this unit are pretty decent and totally usable. I feel the reverbs could have been richer and more full, although the 'Room' reverb is quite realistic. I also think the phase is pretty creamy and can really be pleasing when dialed in just right.I purchased this synth to mainly handle atmospheric pads and other ambient sounds which it does very nicely.
I have been discovering the Drum engine more and find that I like that as well very much. Very similar to the Earlier EMX models which I was considering buying before I got the Radias.
The only sounds that I don't like are the crazy presets that Korg programmed in here. Its not that the sound quality is bad, they just slam you with loud wild noises when you are simply trying to peruse the presets.
It can be very loud and shocking so be warned. This synth does have audio input options which can be quite nice.
I have run audio and my voice through the unit dry and it really doesn't sound that good. To be fair though, I don't believe the inputs are intended to just route audio of course, but rather to use as 'Waveforms, Oscillator, and Vocoder' controls, which is very very awesome.
This is definitely one of the big highlights of the Radias.OVERALL OPINIONI absolutely love this synth. It's extremely versatile offering all the things mentioned earlier as well as Sequencing capabilities, Vocoder and 'Formant Sampler', 4 individual voices, two stereo ouputs, and a ton of deep editing options. If I had to pick one thing that I love best about this synth, it would be the Vocoder. It's just too much fun and can yield some out of this world realtime effects.
The only dislike is the obnoxious presets I mentioned earlier. I bought this synth used for a fraction of the original price so I am very happy about that. I give it a 9 out of 10 in sound quality. It only loses 1 point because the Moog Slim is a step above the radias. I have used many hardware and software synths. This is definitely one of my favorites.Yes, if it only had two voices per program, I would buy another one, but thankfully it has 4 so you only need 1 unit.
Software Korg Radius Windows 8
This is a keyboard modeling. I have the version with 49 keys keyboard. The basis of sound is oriented techno, but with a little work, we get very good results other. Stacks 4 sounds, which can each edit.UTILIZATIONThis is a fairly simple to handle keyboard, but quickly realizes the extent of his register. The manual is a good source to go to the corner of the beast. Editing is easy for those who know what to doSOUNDSThe sound palette to find his account in many different styles (reggae, dub, hip-hop, tri-hop, world, electro.).
I love the accuracy of the settings for this keyboard. The pads are beautiful.OVERALL OPINIONI use this keyboard for over 6 years. I also have several other keyboards including a. I love this keyboard for accuracy of settings and for a good number of these sounds.
I find the quality / very good money. With experience, I would do this choice without hesitation.
The Radias is the heir of virtual analog synthesizer that has had some success despite its limitations (see the opinion that I wrote about it). With the Radias, Korg wanted to remove them and go beyond the reproduction of analog to create a powerful and modern instrument.Further extension of polyphony, modulations and sophistication of integrated effects, I particularly appreciate the filter section with two filters and the ability to morph the first.It includes functions vocoder and step sequencer that had the originality of. Despite a wider setting, oscillators have changed relatively little.
The ability to save a sample is interesting, but I admit to not having yet exploited. In any case, it would have been great to make the true import of samples in the, but this is not the case. There still the presence of percussion sounds which are also the Radias a good rhythm.
Anyway, there is what to do with what is proposed. The Radias is a very complete machine.UTILIZATIONI have a mixed opinion on the use of Radias.
On the one hand, we feel a laudable effort to provide maximum direct orders. The other one is a little oppressed by their density: wanting both put in a small space, Korg has somewhat neglected the comfort. I think I have never seen so many buttons and multi-function knobs as tight. In general, you can not really do without a navigation menus. Ergonomics is not pleasant but it is still above average and this is probably the inevitable counterpart of a feature-rich instrument.Another highlight: the confusion between programs and / performance combinations. Indeed difficult to program sounds and then arrange them in a second time for a multitimbral use since all aspects are stored together.
So, you must consider the Radias either as a monotimbral with 4 layers, or as a multi-timbral sounds are necessarily recorded in performance.Presets operate mostly the second case with the intention of annoying you out a whole piece predigested in support of a single button with bass line, rhythm and all the support that goes with it: it wants to earful but it does not encourage creativity.Nevertheless, once accustomed to these features, explore the possibilities of Radias is an exciting activity!SOUNDSThe reputation of the Radias was quickly heckled. Presets may have distorted the first impression, although there are still nice chip if you do not be distracted by more touts. Some regulars found that the Radias imitated less analog. In reality, who can do more can do less and just program it the same way for the same sound. But the possibilities are broader, it is obviously possible to explore other territories. Even without going into the unknown, I think it has very good skills on electric piano sounds and some pads to the D50 or Wavestation. I just used the vocoder but I think it's a reference in this field.Ultimately, the Radias is a good VA but presents itself as a modern synthesizer, open to diversity.
Since its release, the competitors have mushroomed in this position, including by expanding the range of their waveforms. The Radias is neither better nor worse than them but it has a sound all its own.
He is comfortable in many registers and the level is generally very good. I appreciate especially tablecloths and evolutionary sequences.
The fineness of the filter settings allows levels of subtlety that I find difficult elsewhere. This is often the finesse that is charged while it is precisely its strength. Despite this, with its unison mode and 4 layers of two oscillators, one can also get big sound.OVERALL OPINIONThe Radias has a very strong identity and that is what makes his interest. Sometimes it annoys me to use by his side 'box muzak' which means too much. Although the step sequencer is a key function, it was not a reason to dress up in sophisticated groove box.
Note that the KingKorg inherits Radias while reversing this trend, with a clean interface but also, inevitably, a few less options.If this groove box appearance is left aside, the Radias synthesizer is a big potential. As virtual analog, it has all the qualities of MS2000 without limitations. But he knows to go beyond, in the most original lands. I especially like the use subtle sound, finely colored, like a watercolor palette!
All this has already been detailedUTILIZATIONInterface close enough, a bunch of knob front (some a bit closer but hey.), that is to say a real incentive to hack sound.SOUNDSThe sounds are perfect for me (typed techno / trance), my opinion is subjective, they are powerful and colorful with a grain unique to the machine. Similar to the Virus TI for the field of electronics (I own both machines), for what is desautres types of sounds more 'classical', there is certainly much better.OVERALL OPINIONExcellent value for money. Fairly easy access. I have the invert rack on my Korg M3 73. Its characteristics are coupled with the M3 in an original instrument and most powerful (rare now in the genre and inimitable. How unique.) But I will not dwell on the m 2 Association but talk of the floor rack only. As for its features, they are very complete in terms of synthesis Analog Modeling.
And even if we can find a little better. C is best for double the price.UTILIZATIONWell, then, is the c.
Hearts full of the radiant panel and dedicated controllers. D are incredibly effective. S used to it obviously must be a logic of the machine and how to play with the buttons have access to the menus. But c is the lot of any machine in any way. What we need to understand, is that c There is no trap, and this synth is damn. This type of machine is perfect for s initiate synthesis, and understanding.
So it's meiux try to understand rather than to break it stupidly (see previous review) because if one does not understand the radiant, we do understand nothing has any other synths of this type (and other viruses) to the extent that it is not no harder than the others anyway. This synth is a call to the programming real time, coupled with a really powerful synthesis engine. A real synth hacker. For is simply one of the best for that! (So that it is one of the cheapest )SOUNDSWell, we have read different opinions. Full of tastes and colors. What is clear already, it is because this synth has a wide dynamic range of a potato.
After, we can say that it is able to emulate all types generally tend analog sound, no real weak point in terms of style sounds. Aparaitra it can be a little thin for some fans to travel a moog or a virus ti, but a good programmer magnify the sound by stacking layers. And what's on c is that its potential allows it to compensate for a certain coldness Basic. After, its different modules enable it to go beyond the basic analog modeling, because with its sequencer is no, its drum sounds, this keyboard has a considerable potential electro sounds for all types of scalable and controllers are really ( I repeat) very effective to act quickly on its su. You really have to see the various demos rested on the net. Ha yes, ca vocoder does well also.OVERALL OPINIONI searched a long synth easy access with lots of controllers direct access to m fun, have this simple pleasure of crushing sounds.
But at the same time I wanted a real potential and a great power programmarion. Yet I do not want to invest the 2000 euros that is required by all tenors of its kind. (which I tried them all) and I did not a machine that would get tired at the end of one month.
Finally, by analyzing all this well, c is the RADIAS rack that I seemed to be the compromise meileur. C is simple, look better for the price (nine obviously.) and you will not find. There's more if you like, but much more expensive. And then this synth has an identity it has something wicked in her. He has a real personality what! I felt comfortable al very quickly with him in its use.
1 year after, it makes me not want to look elsewhere, power enough for me when the need for this type of sound that I have. I am sorry if I chipotte ots of less finished than those of a virus or a minimmog travel (well even when it's going. I am not at all worried when its reliability has not.
And then c is not the same price! Ny-pity that he did not have a save slot internal card (beyond the 256 presets, it would agree to go through the editor of transferring to other sounds. I n have no desire at all to go through the computer just with this synth.) Other than that, I see nothing else of special. C is a synth I find really great. And coupled to c my M3 is nirvana. Among the Japanese manufacturers of synthetic, I find a real philosophy korg synth a little trashy, flawed but not if you want embedded in them.
We like it or not, but we do not fuck s with this synth. And we feel that the engineers who have considered the one seen in that. If I had to do a choice today? Without hesitation I would not even have to look elsewhere.edit 07/02/10:J have the chance to own a virus recently TI2 thriller.Well, even if the virus is the absolute high end in my modeling analog (with the North wave. I spent the Nord Modular) n this removes nothing to the pleasure this. RADIAS remains a great case and a machine geniale a hack.